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: Article about ebooks and libraries vs. publishers  ( 7541 )
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« : December 29, 2011, 09:52:18 AM »

This New York Times article can be found at:
http://www.nytimes.com/2011/12/25/business/for-libraries-and-publishers-an-e-book-tug-of-war.html?_r=1

One thing the article doesn't make clear is that libraries buy *licenses* to eBooks.  And as we all know, with licenses, come restrictions.  In addition, libraries often play an important role in the success of a title.


DIGITAL DOMAIN
Publishers vs. Libraries: An E-Book Tug of War
By RANDALL STROSS
Published: December 24, 2011
LAST year, Christmas was the biggest single day for e-book sales by HarperCollins. And indications are that this year’s Christmas Day total will be even higher, given the extremely strong sales of e-readers like the Kindle and the Nook. Amazon announced on Dec. 15 that it had sold one million of its Kindles in each of the three previous weeks.
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E-books and audio books on the Web site of the New York Public Library. Publishers are waiting for an industrywide approach to e-lending to gel.
But we can also guess that the number of visitors to the e-book sections of public libraries’ Web sites is about to set a record, too.
And that is a source of great worry for publishers. In their eyes, borrowing an e-book from a library has been too easy. Worried that people will click to borrow an e-book from a library rather than click to buy it, almost all major publishers in the United States now block libraries’ access to the e-book form of either all of their titles or their most recently published ones.
Borrowing a printed book from the library imposes an inconvenience upon its patrons. “You have to walk or drive to the library, then walk or drive back to return it,” says Maja Thomas, a senior vice president of the Hachettte Book Group, in charge of its digital division.
And print copies don’t last forever; eventually, the ones that are much in demand will have to be replaced. “Selling one copy that could be lent out an infinite number of times with no friction is not a sustainable business model for us,” Ms. Thomas says. Hachette stopped making its e-books available to libraries in 2009.
E-lending is not without some friction. Software ensures that only one patron can read an e-book copy at a time, and people who see a long waiting list for a certain title may decide to buy it instead.
Explaining Simon & Schuster’s policy — it has never made its e-books available to libraries — Elinor Hirschhorn, executive vice president and chief digital officer, says, “We’re concerned that authors and publishers are made whole by library e-lending and that they aren’t losing sales that they might have made in another channel.”
Ms. Hirschhorn says the reason publishers didn’t worry about lost sales from library lending of print books is that buying a book is easier — no return trip is needed to the bookstore — and the buyer has a physical collectible after reading it. (One of my books was published by Simon & Schuster in 2008.)
To keep their overall revenue from taking a hit from lost sales to individuals, publishers need to reintroduce more inconvenience for the borrower or raise the price for the library purchaser. If making the books more costly to libraries seems a perverse idea, consider that the paperback edition of a book provides an artificially costly experience for its buyers too, in terms of waiting time. The delay in the paperback’s availability permits the publisher to separate those book buyers willing to pay a premium to read the book earlier from those only willing to pay less for what is essentially the same thing, but later.
Ms. Thomas of Hachette says: “We’ve talked with librarians about the various levers we could pull,” such as limiting the number of loans permitted or excluding recently published titles. She adds that “there’s no agreement, however, among librarians about what they would accept.”
HarperCollins is the one major publisher that has taken the step of changing the traditional arrangements with libraries.
Beginning last March, it stopped selling e-books to libraries for unlimited use, which it had been doing since 2001. Instead, it began licensing use of each e-book copy for a maximum of 26 loans. This affects only the most popular titles and has no practical effect on others. After the limit is reached, the library can repurchase access rights at a lower cost than the original price.
The move was prompted, the company said in a statement, by concerns that continuing to sell e-books on the old, unlimited terms would “in the end lead to a decrease in book sales and royalties paid to authors.”
HarperCollins was brave to tamper with the sacrosanct idea that a library can do whatever it wishes with a book it obtains. The publisher’s action arguably benefits the most parties because it gives library patrons access to the latest titles in e-book form while still protecting the financial interests of publishers, authors and booksellers.
Robin Nesbitt, technical services director at the Columbus, Ohio, metropolitan library, says she does not object to HarperCollins’s limit. “At least HarperCollins allows me to have access to their titles,” she says. “I don’t mind buying a title and then might have to buy it again — I do that now with print.
“I know many libraries are mad because they think the 26 loans is too low — well, how do you know 26 is too low until you try it?”
Ms. Nesbitt adds, however, that many of the library’s patrons aren’t aware that other publishers are withholding e-books from it. She says it is hard “to explain to our patrons why we don’t have something.”
THE publishers that are holding back are watching for an industrywide approach to gel. But agreement doesn’t seem imminent. David Young, Hachette’s chief executive, says: “Publishers can’t meet to discuss standards because of antitrust concerns. This has had a chilling effect on reaching consensus.”
While many major publishers have effectively gone on strike, more than 1,000 smaller publishers, who don’t have best-seller sales that need protection, happily sell e-books to libraries. That means the public library has plenty of e-books available for the asking — no waiting.
Making those lesser-known books available to patrons renews libraries’ primary function: offering readers a place for discovery.
Randall Stross is an author based in Silicon Valley and a professor of business at San Jose State University. E-mail: stross@nytimes.com.
A version of this article appeared in print on December 25, 2011, on page BU3 of the New York edition with the headline: Publishers vs. Libraries: An E-Book Tug of War.

mirjo
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« #1 : January 03, 2012, 02:03:33 PM »

Maybe I didn't spend enough time reading this article, but I just don't get it. Perhaps it's my ignorance on how the whole digital book thing works, but  I'm trying to understand how the sale of an e-book to a library is different from the sale of any other book? Other than it should be a little cheaper do to the fact that it's a digital copy. I also don't understand why more than one digital copy can't be purchased (or the rights to use it or whatever it is) so at least two library patrons can have access at a time. Seems like the software needs an overhaul.

Twenty-six check outs before renewing? For a not-so-popular book that might be fine, but it seems like a low number for a best seller. If publishers don't allow library access, it seems like they will be shooting themselves in the foot and doing the authors a great disservice as well. It seems technology is advancing faster than anyone is able to think fast enough to move with it. Seems like that can't be a good thing overall.

The electronic and digital everything age is proving to be some what of a royal (growing?) pain. I'm all for technology and its improvements; however, I don't envision an entirely digital world that relies solely on electronic transfer of information. This is just one example at this moment in time. Perhaps in the future when there are no longer people who are able to write with a pencil and haven't had to do simple math in their head or anything manual without some piece of electronic equipment, then perhaps there will be the Utopian E-society somebody, somewhere is striving for. I'm too old to envision it being possible. Of course, those post-apocalyptic movies always show some kind of rebel forces trying to get back to some sort of old school 'humankind.' :-)

E-readers are handy gadgets, but at this point, completely eliminate the ability to graze a yard sale or book store for used books--thus removing the tactile pleasure of handling a book and reading the back cover. At least some of the appeal of choosing a book initially is from the cover art--that and the title draws a reader's attention to pick it up and see what it's about.

If the world gives you melons, you might be dyslexic
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« #2 : January 04, 2012, 04:21:14 PM »

You make a lot of interesting points!  To answer one of your questions at the beginning, some publishers retain their ability to make money (and thus pay authors) by requiring the vendors of ebooks to allow only one check out at a time per copy just like a print book.  I'm not saying I love that model, but that is why.  For us to let more than one patron take out an ebook at one time, we have to lease more than one copy.  I completely agree that 26 checkouts (one publisher's "solution" to ebooks never wearing out) is too low.  Many librarians are probably hoping ohter publishers don't follow that example.
trussell
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« #3 : January 04, 2012, 06:23:41 PM »

What's the average life of a book?  How many checkouts does a typical book survive?

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msm
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« #4 : January 05, 2012, 11:07:29 AM »


Folks,

Lots of interesting discussion on this topic.  I am more interested since I received an E-Reader for my Birthday.

I don't have an opinion yet .. but I compare the digital books to digital music .... We all knw othe music industry has change dramtically due to music sharing, legal and non-legal sharing of songs ...

 The Publishers are actively protecting themselves and their authors of this same plight as the music industry. 

How much free sharing is good ?  What is the best way to meter the useage ? 

Libraries purchase licenses for each book.  Makes sense to me,  that the electronic version is loaned ina serial fashion only --- Each borrower gets x amount of time to use the book.   Say 7 days -- then th reader loses the file on his e-reader -- it expires ---  The next borrower on the list ( Must build automated electronic wiating lists ) will have his shot at the title and os on ..

And - How the nig question for me --- How many times should the library be able to 'loan' the electronic version ?   My open question in this area was asked by our good friend ...  How many times can a library book be loaned out ?  What is the average library life a hardcopy novel ? 

All interesting questions ---  Note,  i Bought my first electronic book,  I think it will be my last,  the local librarries have more reading materials in electronic form than I will ever be able to read ----   

Mike M 

 
fletchtb
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« #5 : January 05, 2012, 12:06:06 PM »

This New York Times article can be found at:
http://www.nytimes.com/2011/12/25/business/for-libraries-and-publishers-an-e-book-tug-of-war.html?_r=1

HarperCollins is the one major publisher that has taken the step of changing the traditional arrangements with libraries.
Beginning last March, it stopped selling e-books to libraries for unlimited use, which it had been doing since 2001. Instead, it began licensing use of each e-book copy for a maximum of 26 loans. This affects only the most popular titles and has no practical effect on others. After the limit is reached, the library can repurchase access rights at a lower cost than the original price.


So at least one publisher (Harper Collins) is selling licences that come with 26 loans and subsequent licenses are sold at a reduced rate.
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« #6 : January 05, 2012, 01:39:00 PM »

I honestly could not give you an "average" lifespan of a hardcover book, but I can say we have books on our shelves that have been taken out many more than 26 times.  Plus, we can often repair an old or damaged book to extend it's life.  I wonder how Harper Collins decided on 26!
fletchtb
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« #7 : January 05, 2012, 05:32:03 PM »

If they are 2 week loands, and the book is popular, I bet they are thinking of it as 1 year of loans.
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